{"id":109,"date":"2018-09-02T05:28:49","date_gmt":"2018-09-02T05:28:49","guid":{"rendered":"https:\/\/www.courses.tegabrain.com\/cc18\/?page_id=109"},"modified":"2018-09-10T22:26:06","modified_gmt":"2018-09-10T22:26:06","slug":"readings","status":"publish","type":"page","link":"https:\/\/www.courses.tegabrain.com\/cc18\/readings\/","title":{"rendered":"Readings and Talks"},"content":{"rendered":"<p>An evolving list of creative coding related readings. I will add to these throughout term, and some will be allocated as required readings in class.<\/p>\n<p><strong>Computational Art<br \/>\n<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.naimark.net\/writing\/firstword.html\">First Word Art \/ Last Word Art<\/a>, Michael Naimar, 2001<\/li>\n<li><a href=\"http:\/\/wiki.t-o-f.info\/uploads\/EDM7112\/TRANSFORMING_MIRRORS.pdf\">Transforming Mirrors, Subjectivity and Control<\/a> in Interactive Media, David Rokeby, 1996.<\/li>\n<li><a href=\"http:\/\/contemporary-home-computing.org\/art-and-tech\/not\/\">Not Art &amp; Tech<\/a>, Olia Lialian, 2015.<\/li>\n<li><a href=\"http:\/\/artport.whitney.org\/commissions\/softwarestructures\/text.html\">Software and Drawing,<\/a> A text about Software &amp; Art by Casey Reas. This text accompanies<a href=\"http:\/\/artport.whitney.org\/commissions\/softwarestructures\/map.html\"> this project, commissioned by the Whitney.<\/a><\/li>\n<li><a href=\"http:\/\/mtchl.net\/ten-questions-concerning-generative-computer-art\/\">Ten Questions Concerning Generative Computer Art,<\/a> McCormack, Jon, Oliver Bown, Alan Dorin, Jonathan McCabe, Gordon Monro, and Mitchell Whitelaw, March 2013<\/li>\n<\/ul>\n<p><strong>Software cultures<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/medium.com\/humane-tech\/12-things-everyone-should-understand-about-tech-d158f5a26411\">12 things everyone should understand about tech,<\/a> Anil Dash.<\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/2015\/12\/20\/opinion\/sunday\/why-do-i-have-to-call-this-app-julie.html?_r=0\">Why Do I Have to Call This App \u2018Julie\u2019?<\/a>, Joanne McNeil, 2015.<\/li>\n<li><a href=\"http:\/\/contemporary-home-computing.org\/turing-complete-user\/\">Turing Complete User<\/a>, Olia Lialina, 2012<\/li>\n<\/ul>\n<p><strong>Code<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/docs.google.com\/file\/d\/0B8pZRjIECCvPZkxiMEVBeTZ1QkE\/edit\">Code, the hidden language of computer software, <\/a><a href=\"https:\/\/docs.google.com\/file\/d\/0B8pZRjIECCvPZkxiMEVBeTZ1QkE\/edit\">Petzold, Charles, 2009. <\/a> O\u2019Reilly Media, Inc. Preface and chapter 1. And if you\u2019re into it, continue with chapter 2.<\/li>\n<li>Words Made Flesh, Florian Cramer, 2005. ( <a href=\"https:\/\/www.courses.tegabrain.com\/CC17\/wp-content\/uploads\/2017\/09\/wordsmadefleshpdf.pdf\">wordsmadefleshpdf )<\/a><\/li>\n<\/ul>\n<p><strong>Design and Aesthetics<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.wassilykandinsky.net\/book-pointlinetoplane.html\">Point and Line to Plane,<\/a> Wassily Kandinsky, 1926.<\/li>\n<li><a href=\"http:\/\/www.g-e-s-t-a-l-t.org\/MEDIA\/PDF\/Interaction-of-Color.pdf\">Interaction of Color<\/a>, Joseph Albers, 1963.<\/li>\n<\/ul>\n<h3>Inspiring Talks<\/h3>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li><a href=\"https:\/\/vimeo.com\/69477201\">Amit Pitaru, On coding instruments, drawing and how to learn to learn. <\/a><\/li>\n<li>Morehshin Allahyari on <a href=\"https:\/\/vimeo.com\/233683682\">digital colonialism, 3d fabrication and activist practices<\/a><\/li>\n<li>Rachel Binx: <a href=\"https:\/\/vimeo.com\/180044031\">Design, maps and creative entrepreneurship<\/a><\/li>\n<li>Gene Kogan: <a href=\"https:\/\/vimeo.com\/180044029\">Machine learning and art<\/a><\/li>\n<li>More <a href=\"https:\/\/vimeo.com\/eyeofestival\">eyeo talks here<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>An evolving list of creative coding related readings. I will add to these throughout term, and some will be allocated as required readings in class. Computational Art First Word Art \/ Last Word Art, Michael Naimar, 2001 Transforming Mirrors, Subjectivity and Control in Interactive Media, David Rokeby, 1996. Not Art &amp; Tech, Olia Lialian, 2015.<a class=\"more-link button\" href=\"https:\/\/www.courses.tegabrain.com\/cc18\/readings\/\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-109","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Paeb9f-1L","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.courses.tegabrain.com\/cc18\/wp-json\/wp\/v2\/pages\/109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.courses.tegabrain.com\/cc18\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.courses.tegabrain.com\/cc18\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.courses.tegabrain.com\/cc18\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.courses.tegabrain.com\/cc18\/wp-json\/wp\/v2\/comments?post=109"}],"version-history":[{"count":4,"href":"https:\/\/www.courses.tegabrain.com\/cc18\/wp-json\/wp\/v2\/pages\/109\/revisions"}],"predecessor-version":[{"id":383,"href":"https:\/\/www.courses.tegabrain.com\/cc18\/wp-json\/wp\/v2\/pages\/109\/revisions\/383"}],"wp:attachment":[{"href":"https:\/\/www.courses.tegabrain.com\/cc18\/wp-json\/wp\/v2\/media?parent=109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}